Publishers Weekly
October 8, 2001

Based on the author's harrowing experiences, this first novel is a journey into homelessness, youthful angst, drugs and hopelessness in Chicago. Paul, 14, runs away from home and is quickly picked up by the police after slashing his wrists. Placed in the adolescent unit of a mental institution and deeply depressed, he reviews his life, seeking solace from the motley crew of his fellow inmates. All are equally rootless and confused. French Fry is horribly disfigured following an attempt to burn himself to death; Mike swallowed pills; Jay set fire to a church. Escaping with Tanya, another inmate, Paul commences a twisted life on the streets interrupted by a short, terrifying stint at the infamous Robert Taylor Homes housing project. Although Elliott keeps the scenes strong and succinct, he frequently pushes the pace so hard that the reader is unable to digest what has come before. His ability to capture the fragile sensibility of troubled youth is uncanny, however, his descriptions of life are crookedly lyrical. Paul tries to retain his humanity despite being placed in a series of ineffective group homes, and though constantly struggling to adjust to the outside world and become a "normal" human being, he is restless, unable to stay in one place; he eventually hits bottom during a stint in a mental hospital. Finally landing in yet another Chicago group home, he makes a last push toward sanity and stability. The bittersweet conclusion doesn't quite satisfy, but this is an impressive debut, a promising work of fiction and an eloquent expression of life as few people are unlucky enough to know it. (Oct. 15)